Enharmonic is my music. I'm an electronic producer working in genre-fusion, and in January 2026 I released my EP, The Angels. Before any of this — before Deloitte, before the startups — I was a 2x Grammy Award winner with the Pacific Boychoir Academy. Music isn't a side note in my story; it's the root of it.
The work
Enharmonic is where I produce, mix, master, and art-direct my own releases end to end. The Angels is a concept project structured around numerology — the kind of thing that only holds together if one person carries the whole vision from the first sound to the final cover image. I built the visual language too: sacred geometry, a specific palette, an identity that feels the way the music sounds.
Why it's not separate from the rest
I treat my art the way I tell clients to treat their businesses — as something worth owning outright. So I built enharmonic.io on infrastructure I control (Next.js + Supabase, no templates, no platform dependency), because a catalog scattered across SoundCloud, Spotify, and dead landing pages isn't ownership. The release was the forcing function; the home had to be as considered as the record.
The throughline
The dual life — artist and operator — isn't a bio quirk I mention to seem interesting. It's the actual engine of how I work. The taste that makes a record cohere is the same taste that makes a product cohere. The discipline to finish and ship a body of work is the same discipline that ships a platform. Enharmonic is the most personal version of my whole thesis: the thing you make deserves to exist in the world at the same level you experience it in your head. Even when — especially when — the artist is the client.
By the numbers
- EP The Angels — released January 2026 (10 tracks)
- 2× Grammy Award winner (Pacific Boychoir Academy)
- Built on an owned stack — 0 platform dependencies
